Susana Sá

Publications

Journals

  • (submitted) França de Sá, S., Ferreira, Joana L, Macedo, Rita, Ramos, Ana M. & Lopes, João. ‘Ageing study of a polyether-urethane foam – The influence of photo-oxidation and high relative humidity’.
  • França de Sá, S., Macedo, Maria F. & Macedo, Rita. 2015. Da teoria à prática - problemáticas em torno da preservação da instalação Oh la la,… Oh la balançoire/Microcosmos Tentacular (2003-04) de Susanne Themlitz. Museologia e Patrimônio - Revista Eletrônica do Programa de Pós-Graduação em Museologia e Patrimônio - Unirio | MAST (8) 1: 30-52.

Congress proceedings

  • França de Sá, S., Ramos, A. M., Macedo, R., Ferreira, J. L. & Coutinho, B. 2014. ‘How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion’, in R. Gordon, E. Hermens and F. Lennard (eds), Authenticity and Replication: the ‘real thing’ in art and art conservation, pp. 193-203. London: Archetype Publications.
  • Callapez, E. M. & França de Sá, S. 2014. ‘New Materials for promoting new lifestyles’. In: E. Helerea, M. Cionca, M. Ivanoiu (eds.), Technology in Times of Transition, pp. 223-238. Transilvania: University Printing House, Brasov. 
  • França de Sá, S., Ramos, A. M., Macedo, R., Ferreira, J. L., Lisboa, H. & Borges, J. P. 2013. ‘The behaviour of flexible polyurethane foam in a contemporary sculpture: Viúva Negra by João Vieira, 1981’. In: T. Bechthold (ed.), Future Talks 011, Technology and Conservation of Modern Materials in Design, pp. 232-239. Munich: Die Neue Sammlung, The International Design Museum Munich.
  • França de Sá, S., Ramos, A. M., Macedo, R., & Ferreira, J. L. 2012. ´Conservación de una escultura en poliuretano: reconstrucción del proceso creativo’. In: J. Gómez-Tejedor (ed.), 13ª Jornada de Conservación de Arte Contemporáneo, pp. 87-101. Madrid: Museo Centro de Arte Contemporáneo Reina Sofia.
Book Chapter
  • S. F. de SÁ, A. M. Ramos, R. Macedo, J. L.  Ferreira, B. Coutinho, "How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion", in R. Gordon, E. Hermens and F. Lennard (eds), Authenticity and Replication: the ‘real thing’ in art and art conservation, pp. 193-203. London: Archetype Publications.


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