Augusta Lima

Publications

Journals

  • Augusta Lima, Teresa Medici, António Pires de Matos, Marco Verità, Chemical analysis of 17th century Millefiori glasses excavated in the Monastery of Sta. Clara-a-Velha, Portugal: comparison with Venetian and façon-de-Venise production, Journal of Archaeological Science, 2012, http://dx.doi.org/10.1016/j.jas.2012.01.006.
  • Susana Coentro, Augusta M. Lima, António Santos Silva, Alexandre Nobre Pais, João Manuel Mimoso, Vânia S. F. Muralha, Multi-analytical identification of pigments and pigment mixtures in Portuguese 17th century Azulejos. Journal of the European Ceramic Society, 2012, Vol. 32 (1), pp. 37-48.
  • Filipa Lopes, Andreia Ruivo, Vânia Muralha, Pedro Duarte, Isabel Paiva, Romão Trindade, Augusta Lima, António Pires de Matos, Uranium glass in museum collections, Journal of Cultural Heritage, 9, 2008, e64-e68.
  • Andreia Ruivo, Cristina Gomes, Augusta Lima, Luisa Botelho, Rita Melo, Ana Belchior, António Pires de Matos, Gold nanoparticles in ancient and contemporary ruby glass, Journal of Cultural Heritage, 9, 2008, e134-e137.

Congress proceedings / exhibition catalogues

  • Medici, T.; Lima, A.; Pires de Matos, A.; Vilarigues, M. (2014). O papel dos materiais geológicos no estudo de proveniência de vidros. In. P. Dinis, A. Gomes e S. Monteiro-Rodrigues (Ed.), Proveniência de materiais geológicos. Abordagens sobre o Quaternário de Portugal. APEQ, Coimbra, pp. 243-267.
  • Susana Coentro, João M. Mimoso, Augusta M. Lima, António S. Silva, Alexandre N. Pais e Vânia S.F. Muralha, As Cores na Azulejaria Portuguesa do Século XVII. Catálogo da Exposição “Azulejaria Portuguesa do Século XVII”, Lisbon, Museu Nacional do Azulejo, 2012.
  • Inês Coutinho, Ana Ramos, Augusta M. Lima, Francisco Braz Fernandes, Studies on degradation of epoxy resins used for conservation of glass, Proceedings of the conference “Holding it all together, ancient and modern approaches to joining, repair and consolidation”, London, England, 21st-22nd Feb 2008, Archetype Publications Ltd. and the British Museum, 2009, pp. 127-133.