1. A. Ferraz, L. Carlyle, R. Macedo, “No ateliê do pintor naturalista: espaços, equipamentos e materiais”, In: B. F. Torras (coord.) Actas do IV Congresso de História da Arte Portuguesa em Homenagem a José-Augusto França, 2ª ed., Associação Portuguesa de Historiadores da Arte, 217-224.

2. A. M. Silva, C. Montagner, M. Vilarigues, R. Macedo, M. J. Melo, M. Picollo, A. Miranda, J. A. Lopes, “Um Códice modernista: Amadeo e La Légende de Saint Julien l’Hospitalier”, In: B. F. Torras (coord.) Actas do IV Congresso de História da Arte Portuguesa em Homenagem a José-Augusto França, 2ª ed., Associação Portuguesa de Historiadores da Arte, 208-216.

3. A. Rodrigues, S. G.-Patricio, A. Z. Miller, C. S.-Jimenez, R. Wiley, D. Nunes, M. Vilarigues, M. F. Macedo, "Fungal Biodeterioration of Stained Glass Windows", International Biodeterioration and Biodegradation, 90, 152-160.

4. C. Miguel, J. V. Pinto, M. Clarke, M. J. Melo, "The alchemy of red mercury sulphide: the production of vermilion for medieval art", Dyes and Pigments, 102, 210-217.

5. D. Sanches, A. Ferraz, T. Vitorino, L. Carlyle, M. Vilarigues, R. Macedo, M. J. Melo, “A técnica e a cor do romantismo pelas mãos de Tomás da Anunciação”, In: B. F. Torras (coord.) Actas do IV Congresso de História da Arte Portuguesa em Homenagem a José-Augusto França, 2ª ed., Associação Portuguesa de Historiadores da Arte, 200-207.

6. H. Marçal, R. Macedo, A. M. Duarte, “The inevitable subjective nature of conservation: psychological insights on the process of decision-making”, In ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014, ed. J. Bridgland, art. 1904, Paris: International Council of Museums.

7. J. P. G. L. Frias, V. Otero, P. Sobral, "Evidence of microplastics in samples of zooplankton from Portuguese coastal waters", Marine Environmental Research, 95, 89-95.

8. L. Carlyle, R. Marques, I. P. Cardoso, S. Babo, "Creating a textured replacement strip for the missing lower portion of an oil portrait: problem solving and practical solutions", The Picture Restorer, 44, 44-52.

9. M. J. Melo, V. Otero, T. Vitorino, R. Araújo, V. S. Muralha, Lemos, M. Picollo, "A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours", Applied Spectroscopy, 68, 434-444.

10. M. J. Melo, R. Castro, A. Miranda, "Colour in medieval Portuguese manuscripts: between beauty and meaning", in A. Sgamellotti, B. Brunetti, C. Miliani (eds.) Science and Art: the painted surface, Royal Society of Chemistry, 170-192.

11. M. L. Coutinho, V. S. F. Muralha, J. Mirão, J. P. Veiga, "Non-destructive characterization of oriental porcelain glazes and blue underglaze pigments using µ-EDXRF, µ-Raman and VP-ESEM", Applied Physics A, 114, 695-703.

12. N. Correia, T. Romão, A. Ricardo, T. Mota, M. J. Melo, R. Castro, R. Carvalho, A. Miranda, "Design of an Interactive Experience with Medieval Illuminations: A Journey into the Beauty and Meaning of Medieval Portuguese Manuscripts", ACM Journal on Computing and Cultural Heritage, 7, art. nº 13.

13. R. Castro, J. A. Lopes, F. Pozzi, M. Leona, M. J. Melo, "Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations", Journal of Raman Spectroscopy, 45, 1172-1179.

14. S. Belchior, "As Primeiras Expedições de Gravação da «The Gramophone Company» em Portugal", In: M. D. Silva, M. R. Pestana (eds.) Indústrias da Música e Arquivos Sonoros em Portugal no Século XX: práticas, contextos, patrimónios, Lisboa: Câmara Municipal de Cascais, INET-md, 45-53.

15. S. Coentro, R. A. A. Trindade, J. Mirão, A. Candeias, L. C. Alves, R. M. C. Silva, V. S. F. Muralha, "Hispano-Moresque ceramic tiles from the Monastery of Santa Clara-a-Velha (Coimbra, Portugal)", Journal of Archaeological Science, 41, 21-28.

16. S. F. Sá, A. M. Ramos, R. Macedo, J. L. Ferreira, B. Coutinho, "How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion", In: R. Gordon, E. Hermens, F. Lennard (eds.), Authenticity and Replication: the ‘real thing’ in art and art conservation, London: Archetype Publications, 193-203.

17. S. Mas, C. Miguel, M. J. Melo, J. A. Lopes, A. Juan, "Screening and quantification of proteinaceous binders in medieval paints based on μ-Fourier transform infrared spectroscopy and multivariate curve resolution alternating least squares", Chemometrics and Intelligent Laboratory Systems, 134, 148-157.

18. S. Sequeira, E. J. Cabrita, M. F. Macedo, “Fungal biodeterioration of paper: How are paper and book conservators dealing with it? An international survey”, Restaurator, 35, 181-199.

19. T. Vitorino, A. Casini, C. Cucci, M. J. Melo, M. Picollo, L. Stefani, "Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes", In: A. Elmoataz, O. Lezoray, F. Nouboud, D. Mammass (eds.) Image and Signal Processing, ICISP 2014, Lecture Notes in Computer Science, Springer, Cham, vol. 8509, 257-264.

20. V. Otero, D. Sanches, C. Montagner, J. A. Lopes, M. Vilarigues, L. Carlyle, M. J. Melo, "Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art", Journal of Raman Spectroscopy, 45, 1197-1206.