Publications 2012

1. A. Lima, T. Medici, A. P. de Matos, M. Verità, "Chemical analysis of 17th century Millefiori glasses excavated in the Monastery of Sta. Clara-a-Velha, Portugal: comparison with Venetian and façon-de-Venise production", Journal of Archaeological Science, 39, 1238-1248.

2. A. J. L. Phillips, M. L. Coutinho, M. F. Macedo, P. M. M.-Sanchez, C. S.-Jimenez, "Fungal Planet description sheets: 151. Devriesia imbrexigena", Persoonia - Molecular Phylogeny and Evolution of Fungi, 29, 194-195.

3. C. Miguel, J. A. Lopes, M. Clarke, M. J. Melo, "Combining infrared spectroscopy with chemometric analysis for the characterization of proteinaceous binders in medieval paints", Chemometrics and Intelligent Laboratory Systems, 119, 32-38.

4. C. Miguel, A. Miranda, M. Oliveira, M. J. Melo, M. Clarke, “The book on how one makes colours of all shades in order to illuminate books’ revisited”, In: S. Eyb-Green, J. H. Townsend, M. Clarke, J. Nadolny, S. Kroustallis (eds.) Artist's Process: Technology and Interpretation, London: Archetype Publications, Proceeding from the 4th symposium of the ICOM-CC Working Group Art Technological Source Research, 60-66.

5. J. C. Senna-Martinez, J. Reprezas, E. Figueiredo, F. Lopes, S. S. Gomes, M. F. Araújo, R. J. Silva, "Metal Artefacts of Mediterranean Affiliation from Fraga dos Corvos Habitat Site (Eastern Trás-os-Montes, Portugal): A First Appraisal", Arqueólogo Português, série V, 2, 241-263.

6. R. Macedo, A. Nogueira, H. Marçal, "The Conservator as a Performer", Athens: ATINER'S Conference Paper Series, No: ART2012-0087.

7. S. Coentro, A. Lima, A. Silva, A. N. Pais, J. Mimoso, V. S. F. Muralha,  “Multi-analytical identification of pigments and pigment mixtures used in 17th century Portuguese azulejos”, Journal of the European Ceramic Society, 32, 37-48.

8. S. Coentro, A. Lima, A. Silva, A. N. Pais, J. Mimoso, V. S.F. Muralha, “Colours used by the Portuguese tile-makers of the 17th century”, In Catalogue of the exhibition: "A portuguese taste. The use of Azulejo in the 17th century", Lisbon: Museu Nacional do Azulejo / Athena, 375-383.

9. S. F. Sá, A. M. Ramos, R. Macedo, J. L. Ferreira, “Conservación de una escultura en poliuretano: reconstrucción del proceso creativo”, In: J. Gómez-Tejedor (ed.) 13ª Jornada de Conservación de Arte Contemporáneo, Madrid: Museo Centro de Arte Contemporáneo Reina Sofia, 87-101.

10. S. Sequeira, E. J. Cabrita, M. F. Macedo, "Antifungals on paper conservation: An overview", International Biodeterioration and Biodegradation, 74, 67-86.

11. V. Otero, L. Carlyle, M. Vilarigues, M. J. Melo, “Chrome yellow in nineteenth century art: historic reconstructions of an artists' pigment", RSC Advances, 2, 1798-1805.

12. V. S. F. Muralha, C. Miguel, M. J. Melo, "Micro-Raman study of Medieval Cistercian 12-13th century manuscripts: Santa Maria de Alcobaça, Portugal", Journal of Raman Spectroscopy, 43, 1737-1746.